Movie & TV DVD Releases this week. December 14 2010
The Other GuysDirected by Adam McKay
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Although the comedy team of Will Ferrell and Mark Wahlberg does not sound like a threat to Laurel and Hardy or Abbott and Costello, they conjure up consistent laughs in The Other Guys, yet another comedy from Talladega Nights director Adam McKay. Ferrell plays a mild-mannered police accountant partnered with Wahlberg's hothead (recently demoted to desk-jockey duty after shooting a very famous Yankee player during the World Series), and both men must endure the showboating fame of a pair of supercops (Samuel L. Jackson and Dwayne Johnson) in their New York City precinct house. Along with sending up cop-movie clichés, the movie basically exists to give Ferrell and Wahlberg room to work amusing variations on their characters (with grace notes for Michael Keaton's stereotypical tough captain, too). The loosey-goosey structure works especially well when Wahlberg is needling his partner's squareness or marveling, in wonderfully awestruck tones, at the unbelievable hot-i-tude of Ferrell's wife (Eva Mendes)--a discrepancy made all the more maddening because Ferrell seems indifferent to her charms. Throw in a plot about a billionaire Wall Street crook (Steve Coogan) and the revelation of Ferrell's hilariously dark past, and the movie finds a nice zone of silliness. Of course, any Will Ferrell vehicle must be judged by the opportunities for the star to launch into some borderline-surreal riff--and happily, this film comes through. From the moment Ferrell begins deconstructing Wahlberg's lion versus tuna metaphor, The Other Guys manages to find time for such nonsense, and the film--the world in general, for that matter--is the better for it.
The A-Team
Directed by Joe Carnahan
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Give it up to the A-Team: they've always been good at demolishing things in big, big ways. Freed from the confines of the 1980s TV series, the 2010 blockbuster movie version allows the four members of the paramilitary squad to really amp up the mayhem to newly crazed heights. Liam Neeson plays team leader Hannibal Smith (inheriting the cigar-chomping from the show's George Peppard), and pro wrestler Quinton "Rampage" Jackson is "B.A." Baracus, the TV show's most iconic character (insert Mr. T "I pity the fool" joke here). As the vain Face, Bradley Cooper preens in convincing fashion, and District 9 out-of-nowhere star Sharlto Copley plays the unhinged pilot "Howlin' Mad" Murdock. These boys are on the trail of some money-counterfeiting plates, from Bagdad to Germany to places in between. It would be understating it to say that the plot is not of primary importance, although Patrick Wilson has some fun as a CIA official and Jessica Biel occasionally strikes poses as Face's ex-flame, now a military officer displeased with the A-Team's extra-legal shenanigans. The storytelling is insipid and half-hearted--but when it comes to snarky dialogue and two-fisted action scenes, director Joe Carnahan is in his comfort zone. It's reasonably fun watching the working-out of such logistical puzzles as dropping a tank (with crew inside) from a plane, or scattering the main characters on a dockside as cargo containers rain down from a ship looming above them. Good times, although is it asking too much for certain basic laws of physics (if you drop a human body ten stories, for instance, it might actually sustain injuries) to be used as a guideline? But worrying about such matters isn't in the spirit of The A-Team, which cheerfully ignores the petty concerns of credibility and logic.
Nanny McPhee Returns
Directed by Susanna White
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Nanny McPhee Returns is a simultaneously dark and funny film that features the formidable Nanny McPhee (Emma Thompson), an ugly woman who has a magical way of helping kids mature and learn proper behavior--even against their will. Based on the Nurse Matilda books by Christianna Brand, Nanny McPhee Returns is not so much a sequel to the first Nanny McPhee film as a second, stand-alone story. While her husband is off fighting in the war, Isabel Green (Maggie Gyllenhaal) has her hands full taking care of her three children (Oscar Steer, Asa Butterfield, and Lil Woods), running the family farm, and refusing the constant entreaties of her brother-in-law (Rhys Ifans) to sell her share of the farm. When two cousins (Eros Vlahos and Rosie Taylor-Ritson) from the city arrive with a healthy disdain for their new surroundings and a better-than-you attitude, things begin to get really out of control. Nanny McPhee appears, as if by magic, and though Isabel won't admit she needs her help, McPhee immediately takes charge, vowing to teach the children five lessons that they simply must learn. While the film is somewhat dark, thanks to the family's monetary hardships and the uncertainty regarding the father's status in the war, it also offers abundant humor in scenes such as the spoiled cousins' arrival at what they call the "British Museum of Poo," and in imaginative gimmicks like an elaborately complicated farm invention dubbed the "Pig Scratch-O-Matic" and a litter of acrobatic piglets who occasionally engage in the art of synchronized swimming. Add in a putty-eating bird, the ever-stern Nanny McPhee with her magical walking stick and her dubious ties to the War Department, and a very scatterbrained shopkeeper (Maggie Smith), and there always seems to be something entertaining to chuckle about. (Ages 7 and older)
Cyrus
Directed by Mark Duplass Jay Duplass
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Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years since Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to call it purity would be too highbrow for these aggressively pedestrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher caliber of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please.
The Town
Directed by Ben Affleck
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Ben Affleck worked triple-time on The Town, in which he directs, stars, and co-adapts Chuck Hogan's Prince of Thieves. Affleck's Doug MacRay comes from a line of Boston bank robbers. With his father (Chris Cooper) behind bars, he spent most of his childhood in Charlestown with loyal hothead Jem (The Hurt Locker's Jeremy Renner). Doug had a chance to go legit as a pro hockey player, but he threw it away on drugs and bad behavior. After the armed robbery that opens the film, Jem becomes convinced that bank manager Claire (Vicki Cristina Barcelona's Rebecca Hall) saw something, so Doug, who wore a disguise at the time, sets out to make sure she doesn't tell FBI agent Frawley (Mad Men's Jon Hamm) anything incriminating (Titus Welliver plays Frawley's partner). Doug starts by asking Claire out, and finds she's more shaken than stirred--and that he likes her better than Jem's oxy-addicted sister, Krista (Gossip Girl's Blake Lively), his sometime girlfriend. Unfortunately, neither Jem nor vicious enforcer Fergie (Pete Postlethwaite) will cut him loose until he orchestrates two more scores--the last to take place at Fenway Park. If The Town offers fewer surprises than Affleck's directorial debut, Gone Baby Gone, he raises the stakes with well-planned heists, nerve-jangling car chases, and deadly shootouts. Though Affleck looks too clean-cut to portray a thug, he gives a nicely understated performance, while Hall proves an inspired choice as a woman who could make a bad guy turn good--or die trying.
Legend of the Guardians: The Owls of Ga'hoole
Directed by Zack Snyder
Average customer review:
Legend of the Guardians: The Owls of Ga'Hoole, 300 director Zack Snyder's debut animated feature, is based on Kathryn Lasky's juvenile novel series Guardians of Ga'Hoole. Soren (voice by Jim Sturgess), a young owl, has grown up listening to his father's stories about the Guardians, a legendary band of heroes who fought to keep owldom free. But when he and his jealous older brother Kludd (Ryan Kwanten) are kidnapped, Soren learns the evil Pure Ones are once again plotting to enslave owlkind. Escaping from their clutches, he and a typically mismatched group of friends set out to find the Guardians, the only owls capable of defeating the Pure Ones. The first feature from the Animal Logic studio since the Oscar-winning Happy Feet, Legend of the Guardians quickly degenerates into an unsatisfying muddle of elements borrowed from Star Wars, The Lord of the Rings, and The Lion King. The storytelling borders on the inept: The Pure Ones are using bats to create some sort of blue electricity that paralyzes owls, but no one ever explains what it is, how it works, or why the bats created it. The first battle between the Pure Ones and Guardians is presented as an ancient myth, yet many of the participants are still alive. Soren and his friends look up at the stars to navigate their way to the Guardians' island, but when the camera pans down to them flying, the sky is the blue of a summer afternoon. The vocal cast includes Helen Mirren, Miriam Margolyes, and Geoffrey Rush, who somehow manage to read hokey lines like "listen to your gizzard" without snickering. Despite Snyder's elaborate use of swooping 3-D pan shots to energize the visuals, the film feels achingly slow at 91 minutes. Too scary for small children and too clichéd for their older siblings and parents, Legend of the Guardians ranks among 2010's most disappointing animated films. (Rated PG, but suitable for ages 9 and older: considerable violence and grotesque imagery)
Exit Through the Gift Shop
Directed by Banksy
Average customer review:
It wouldn't be in character for British street artist Banksy to reveal all, even in a film about his work--nor would it be legally prudent. Instead, the elusive stencil-master, face concealed via hoodie, shines a light on amateur documentarian Thierry Guetta. Based in Los Angeles, the French-born bon vivant films everything. On a trip to Paris, he follows his cousin Space Invader around as he affixes his video-game mosaics to walls throughout the city. As he says in retrospect, "I liked the danger." A vintage clothing shop proprietor, he decides he's found his new calling and returns to record other artists, like Shepard Fairey, who found fame through his Orwellian "Obey" image, which features André the Giant (Fairey later designed Obama's "Hope" portrait). Through Fairey, Guetta meets Banksy, whose visage remains a mystery. Guetta captures him in his studio, on the streets, and during preparations for his "Barely Legal" exhibit, at which Brad Pitt and Jude Law make appearances, but things fall apart after an ill-fated trip to Disneyland, where Banksy pulls a stunt that references Guantánamo Bay. Afterward, he encourages the videographer to mount his own show, which yields unexpected results. If it seems as if Banksy is making fun of Guetta, he mostly holds a mirror up to hipsters who'll fall for anything deemed cool (like this film). Narrated by Rhys Ifans, Exit preserves Banksy's anonymity while biting the hand that feeds--with wit and humor.
Despicable Me (Minion Madness DVD Double Pack + Digital Copy)
Directed by Pierre Coffin and Chris Renaud
Average customer review:
Despicable Me is a compelling animated comedy about an aging supervillain's falling popularity at the hands of a younger supervillain and three young orphan girls. Gru is a true, bad-to-the-core evildoer who's earned the title of the world's No. 1 supervillain. But when young upstart Vector steals the Pyramid of Giza, Gru's status suddenly sinks to No. 2. Gru counters his fall by speeding up his plan to shrink and steal the moon, enlisting the help of his army of minions and the elderly Dr. Nefario, but a lack of funding and the difficulties involved in stealing the needed shrink-ray gun threaten to derail everything. Adopting three young orphan girls is an unlikely, but seemingly effective means to further Gru's evil mission, but Gru quickly discovers that caring for three young girls is more work, and distraction, than he could ever have anticipated. What unfolds is an unexpected shift in attitude that will forever change the lives of Gru, Vector, and all three young girls. A visually appealing film produced by Chris Meledandri (Ice Age, Ice Age 2: The Meltdown, and Horton Hears a Who), Despicable Me is full of weirdly shaped characters and settings that are somehow a perfect fit for Sergio Pablos's story. What's especially refreshing is that in this film, 3-D effects are used skillfully and effectively: even when the effects are exploited for comic reasons, they don't become a distraction, as is all too common in many recent movies. The film is full of corny banter and silly antics that inspire plenty of spontaneous laughter, and the minions, while not the best-developed characters, sure are comical. Ultimately, there's also a wholesome message about following one's heart. Steve Carell is the perfect villain-gone-soft in his role as Gru, Jason Segal is quite funny as Vector, and Julie Andrews makes a surprising appearance as Gru's very un-motherly mom. The story isn't new, the humor is relatively juvenile and somewhat forgettable, and it's no Toy Story 3, but Despicable Me celebrates silliness in a way that's satisfying and highly entertaining. (Ages 6 and older)
Hard Boiled [Blu-ray]
Directed by John Woo
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Masterful Hong Kong action director John Woo (The Killer, Face/Off) turns in this exciting and pyrotechnic tale of warring gangsters and shifting loyalties. Chow Yun-fat (The Replacement Killers) plays a take-no-prisoners cop on the trail of the triad, the Hong Kong Mafia, when his partner is killed during a gun battle. His guilt propels him into an all-out war against the gang, including an up-and-coming soldier in the mob (Tony Leung) who turns out to be an undercover cop. The two men must come to terms with their allegiance to the force and their loyalty to each other as they try to take down the gangsters. A stunning feast of hyperbolic action sequences (including a climactic sequence in an entire hospital taken hostage), Hard-Boiled is a rare treat for fans of the action genre, with sequences as thrilling and intense as any ever committed to film.
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