DVD Releases September 21 2010

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Movie & TV DVD Releases this week. September 21 2010

Ondine
From MAGNOLIA FILMS
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Colin Farrell shows his soulful side in Ondine, a lovely Irish drama from director Neil Jordan (The Crying Game, Breakfast on Pluto). Syracuse (Farrell), a down-on-his-luck fisherman called Circus by friends and foes alike due to his formerly boozy ways, pulls up his net one morning to find a beautiful, near-drowned woman in it. She calls herself Ondine (Polish actress Alicja Bachleda) and Syracuse's daughter Annie (charming newcomer Alison Barry) thinks she's a selkie (a seal that's taken human form and can grant wishes). Ondine is happy to feed Annie's fantasies, and Syracuse is pretty convinced himself--but things take a dark turn as Annie's illness and Ondine's past intrude on this sweet fantasy. Ondine has a different feel than typical Hollywood fare; events that in most movies would be hyped and emphasized (such as a plot-turning car crash) here pass with jolting swiftness. Instead, Ondine lingers on the interplay between a sad father and a yearning daughter, between a lonely man and a lost woman. The movie builds a rich and deeply felt web of relationships--when the story takes hold, you'll be all the more gripped as a result. Featuring a delightful comic turn by Stephen Rea (V for Vendetta) as a skeptical priest.

DVD Releases September 14 2010

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Movie & TV DVD Releases this week. September 14 2010

Just Wright
Directed by Sanaa Hamri
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If you've ever doubted that Queen Latifah is a movie star, watch Just Wright. It's not that Just Wright is a great movie--it isn't. It's a perfectly capable romantic comedy with some lovely touches and some typical clichés. The plot--physical therapist Leslie Wright (Latifah) becomes the personal therapist to basketball star Scott McKnight (rapper Common) after a devastating injury, and gradually, love blossoms--isn't really the point. What makes the movie work are little moments of pain and pleasure, such as the flicker of betrayal when Leslie watches her mother give a pair of heirloom earrings to Leslie's prettier childhood pal, Morgan (Paula Patton, Precious), or the hesitation, followed by a leap, when Leslie and Scott have their first kiss. Director Sanaa Hamri, who also made the unjustly ignored interracial romance Something New, has an excellent eye for the details of how people interact; she never forgets that people rarely know what they're going to do until they actually do it, so her movies are in a constant state of discovery. She draws a new vulnerability out of Queen Latifah, who usually coasts on a sassy, breezy confidence. Just Wright is about a woman who's quietly endured a thousand indignities and tries not to let her unhappiness show--which is what makes it so engaging. This sort of performance doesn't win awards, but it makes this sort of movie an unexpected pleasure.

Prince of Persia: The Sands of Time
Directed by Mike Newell
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Jake Gyllenhaal's doe eyes and bulging biceps will make some hearts flutter in Prince of Persia: The Sands of Time. Dastan (Gyllenhaal), adopted prince of the Persian empire, must flee into the desert when accused of murdering his royal father--but a glass-handled dagger he found as loot from a captured city turns out to hold powerful time-manipulating magic. Not only is he pursued by his vengeful brothers, his scheming uncle (Ben Kingsley, Sexy Beast), and a strange cabal of assassins, but a princess/priestess named Tamina (Gemma Arterton, Quantum of Solace) wants the dagger back and will kill Dastan if she has to. Prince of Persia wants to be a rollicking adventure along the lines of Pirates of the Caribbean. Unfortunately, it's hampered by clumsy dialogue and hard-to-follow action sequences, with choppy editing that wrecks the flow of the parkour-inspired stunts. But the production design is extravagant and every time Alfred Molina (Spiderman 2) appears as a greedy sheik the movie gets a delightful jolt of energy. Gyllenhaal doesn't have much to work with--Dastan is a fairly generic hero--and whoever designed his hair should have been fired on the first day, but his lazy charm comes through and carries him through the movie.

Letters to Juliet
Directed by Gary Winick
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Letters to Juliet succeeds in being just what it's meant to be, a feel-good romantic comedy about love lost and love found, in which love triumphs in the face of cynicism. Inspired by the book of the same name, and filmed against the beautiful backdrop of Verona, Italy, the movie tells the story of how troubled young women seek advice from Shakespeare's Juliet by leaving letters tacked to a wall, where they are carefully answered by Juliet's self-appointed "secretaries." One such note is found 50 years later by Sophie (Amanda Seyfried), a young American woman who is soon to be married and who yearns to become a writer. Her heartfelt answer to the letter serves as a catalyst for an epic romantic journey that will span continents and generations. The success of the film lies in the powerful interaction between the wistfully romantic and fully mature author of the letter, Claire (Vanessa Redgrave); the romantically idealistic Sophie; and Claire's overly pragmatic, downright cynical grandson Charlie (Christopher Egan), who grudgingly accompanies his grandmother on what he deems an insane quest to Verona to find her long lost love, Lorenzo. The filmmakers, writers, and actors all capitalize well on the comic possibilities of the situation, and there are more than a few good chuckles to be had at the absurdity of the interactions between these three very different characters, as they experience everything from hope and longing to disappointment and unexpected fulfillment. In the end, each character grows and changes profoundly as a result of their shared journey. Sure, the events portrayed in the film are highly unrealistic, but that doesn't change the fact that the film speaks to that innermost part of us all that, despite all logic, makes us want to believe that true love really does exist and that it just might triumph in the end.

Princess Kaiulani
Directed by Marc Forby
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Princess Kaiulani is a moving film that's part romantic epic, part historical period piece. But mostly it's a portrait of how a frightened young girl grew into an extraordinary woman. The film begins in 1889, when civil unrest unseated Hawaii's royal family and the Hawaiian people began a struggle to maintain their independence and right of self-governance, and when the 13-year-old princess Ka'iulani (Q'orianka Kilcher), who was next in line for the Hawaiian throne, was exiled to England to ensure her safety. Shot on location in both England and Hawaii by indie director Marc Forby, this breathtakingly beautiful film follows Ka'iulani as she is plopped down in a foreign world that looks upon Hawaiians as barbarians and where her royal heritage counts for virtually nothing. Princess Ka'iulani, or "Victoria," as the English often call her, endures harsh treatment at the hands of both teachers and students at boarding school, but she refuses to crumble, carrying on with a strength and quiet resolve that's powerfully portrayed by Kilcher. As Ka'iulani matures, she falls in love with Englishman Clive Davies (Shaun Evans) and becomes engaged. Just as Ka'iulani's happiness seems assured, her father visits her in England, bringing with him serious news: her uncle, King Kalakaua (Ocean Kaowili), has died unexpectedly after having been forced to adopt a constitution in conflict with the best interests of the Hawaiian people, and Ka'iulani's aunt Liliu'okalani (Leo Anderson Akana), who ascended to the throne, has subsequently been put under house arrest and removed from power. Incensed by the grave injustices inflicted upon her people, Princess Ka'iulani is propelled by her inherent sense of duty to sacrifice her own potential happiness. She journeys first to America, where she eloquently pleads with outgoing president Grover Cleveland for his help, and later to Hawaii, where she fights for her people's rights in person. Princess Kaiulani is a powerful film, and what comes across so strongly is not just the often-overlooked perspective of the native Hawaiian people regarding America's annexation of Hawaii and the cultural consequences of that annexation, but the truly heroic acts of Hawaii's extraordinary Princess Ka'iulani.

The Twilight Zone: Season 1 [Blu-ray]
From Image Entertainment
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All 36 episodes of the first season of Rod Serling’s classic, groundbreaking series, now presented in pristine high definition for the first time ever!

• Loaded with new and exclusive bonus features not available anywhere else including extremely rare, never-before-released unofficial pilot “The Time Element” written by Rod Serling and hosted by Desi Arnaz – the episode that started a cultural phenomenon – presented in glorious high definition!
• All new 1080p high-definition transfers have been created from the original camera negatives, as well as uncompressed PCM audio, remastered from the original magnetic soundtracks. Season One Episodes: Where Is Everybody?, One for the Angels, Mr. Denton on Doomsday, The Sixteen Millimeter Shrine, Walking Distance, Escape Clause, The Lonely, Time Enough at Last, Perchance to Dream, Judgment Night, And When the Sky Was Opened, What You Need, The Four of Us Are Dying, Third from the Sun, I Shot an Arrow into the Air, The Hitch-Hiker, The Fever, The Last Flight, The Purple Testament, Elegy, Mirror Image, The Monsters Are Due on Maple Street, A World of Difference, Long Live Walter Jameson, People Are Alike All Over, Execution, The Big Tall Wish, A Nice Place to Visit, Nightmare as a Child, A Stop at Willoughby, The Chaser, A Passage for Trumpet, Mr. Bevis, The After Hours, The Mighty Casey, A World of His Own. Season 1 included such stars as Anne Francis, Burgess Meredith (eventual veteran of numerous TZ episodes), Ida Lupino, Jack Klugman, Richard Conte, Gig Young, Nehemiah Persoff, Sebastian Cabot, Claude Akins, Earl Holliman, Roddy McDowall, Kevin McCarthy, Ed Wynn, Murray Hamilton, Vera Miles and Ron Howard, all featured in classic episodes. Before the season had even finished, it was hailed by the critics, named by Daily Variety as "the best that has ever been accomplished in half-hour filmed television,” a new phrase had entered the pop-culture lexicon and its success and impact is still felt today – fifty-one years after its debut.

Seven [Blu-ray Book]
From New Line Home Video
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The most viscerally frightening and disturbing homicidal-maniac picture since The Silence of the Lambs, Seven is based on an idea that's both gruesome and ingenious. A serial killer forces each of his victims to die by acting out one of the seven deadly sins. The murder scene is then artfully arranged into a grotesque tableau, a graphic illustration of each mortal vice. From the jittery opening credits to the horrifying (and seemingly inescapable) concluding twist, director David Fincher immerses us in a murky urban twilight where everything seems to be rotting, rusting, or molding; the air is cold and heavy with dread. Morgan Freeman and Brad Pitt are the detectives who skillfully track down the killer--all the while unaware that he has been closing in on them, as well. Gwyneth Paltrow and Kevin Spacey are also featured, but it is director Fincher and the ominous, overwhelmingly oppressive atmosphere of doom that he creates that are the real stars of the film. It's a terrific date movie--for vampires.

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DVD Releases September 7 2010

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Movie & TV DVD Releases this week. September 7 2010

Killers
Directed by Robert Luketic
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Killers has been murdered by most film critics, and the box-office receipts haven't been too impressive either. But that's kind of a bad rap. Granted, it isn't likely to make many year's best (or even month's best) lists, but this is an entertaining little diversion that at the very least offers an appealing cast, a few laughs, and some cool chase scenes. Katherine Heigl plays Jen, who, having recently been dumped by her boyfriend, is vacationing in Nice with her parents (Tom Selleck and Catherine O'Hara). Enter Spencer (Ashton Kutcher), a hired assassin (hey, it's a comedy) who happens to be on the scene for a job. The couple's cutesy flirting turns into a romantic dinner, which leads to some heavy drinking… and before you know it, Spencer has renounced the killing gig, married Jen, and moved back to her hometown in the States, where he becomes a "corporate consultant." Three years later his past catches up to him, as we knew it would, and a seemingly limitless array of hired guns emerges from the woodwork, intent on collecting the $20 million bounty that's been put on Spencer's head. Exactly why this is, and who's responsible for it, are secrets revealed only at the end, although perspicacious viewers will no doubt have seen it coming. In the meantime, Spencer's revelation of who he really is and Jen's reaction to it are mildly reminiscent of the Arnold Schwarzenegger-Jamie Lee Curtis relationship in True Lies, as issues of trust, safety, and Jen's newly discovered pregnancy complicate Spencer's attempts to keep the two of them alive while he tries to figure out what's going on. Director Robert Luketic displays a sure hand during the action sequences, but he's working with a thin script and a pair of attractive young actors whose chemistry doesn't exactly burn up the screen. Those are serious drawbacks, but all in all, there are far worse ways to kill a couple of hours than watching Killers.