Movie & TV DVD Releases this week. November 23 2010
Eat Pray LoveDirected by Ryan Murphy
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Elizabeth Gilbert's memoir of enlightenment gets the deluxe treatment at the hands of Glee creator Ryan Murphy, who bathes every scene in a golden glow. Unaccustomed to being alone, Liz (Julia Roberts) exits her marriage to Stephen (Billy Crudup, quite good) only to enter into an affair with an actor (James Franco, curiously uncomfortable), who introduces her to meditation. Just as her editor, Delia (Doubt's Viola Davis, making the most of a small role), longed to have a baby, Liz has longed to see the world. Delia persuades her to seize the day (plus, money presents no obstacle). First, she travels to Italy, where she noshes from Rome to Naples, making new friends along the way. Then, she heads to an ashram in India, where she meets a bride-to-be and a remorseful man (Richard Jenkins, heartbreaking), who nurture her altruistic side. Her sojourn ends in Bali, where she reunites with Ketut (Hadi Subiyanto, hilarious), the healer who first encouraged her to reassess her situation. While there, she befriends a single mother and a single father (No Country for Old Men's Javier Bardem) who falls for her charms. In an improvement over his version of Running with Scissors, Murphy combines two Oscar winners, two Oscar nominees, and four countries to follow one woman's path to fulfillment. Like Julie and Julia and How Stella Got Her Groove Back, Liz's story becomes more involving as she lets go of the superficial, but Murphy's movie still represents a triumph of escapism over spirituality.
I'm Still Here
Directed by Casey Affleck
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Art prank or self-immolation? I'm Still Here claims to be a documentary about Joaquin Phoenix, star of Walk the Line and Gladiator, as he shucks his film career for a new life as a rapper, transforming himself into a pudgy, sullen, unkempt man-child. The result is a sometimes mesmerizing, sometimes tedious portrait of life within the dehumanizing bubble of celebrity, as Joaquin (or "Joaquin") abuses his entourage, pursues P. Diddy to produce his album, cavorts and does drugs with prostitutes, and finally has a supremely awkward appearance on Late Night with David Letterman, which triggers an emotional implosion. What are Phoenix and cowriter-director Casey Affleck after--an x-ray of their lives under the spotlight of fame? An essay on the banality of decadence? A heartfelt exploration of how hard it is to escape the labels placed on us? The movie may simply be evidence of the true project, which was planting a meme in our culture--demonstrated by the abundance of parodies and caustic commentary heaped on Phoenix after his Letterman interview. Whether it's real or fake or a variation on the Borat approach of provoking real responses through fake behavior, there's no questioning Phoenix's thorough immersion in this persona. Whether it's a performance or a perverse martyrdom, it's impressive.
Flipped
Directed by Rob Reiner
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Even if you're not a child of the early '60s, Flipped's tale will resonate with your heart. Director Rob Reiner treats viewers to a sweet but honest glimpse into the lives of a young girl and boy during the early 1960s as they maneuver through first crushes and heartbreak. Reiner once again shows he understands how to put together a compelling, yet simple, human story. We meet Juli Baker (Madeline Carroll) and Bryce Loski (Callan McAuliffe) on the day Bryce's family moves across the street from Juli's. Told by "flipping" between Juli and Bryce's voices, a tale of early childhood love emerges. Juli loves Bryce's baby blues from the first moment she sees them and she just knows he's holding onto her first kiss. Bryce thinks Juli, who raises chickens and loves the neighborhood sycamore tree, is weird. The story doesn't merely flip between the two stories, though. In 1963, the year eighth grade comes around, Juli begins to wonder if there's any substance behind those baby blues… just as Bryce starts to see Juli's eccentricities as endearing instead of embarrassing. Sweetly reminiscent without a saccharine aftertaste, the overall story is perhaps a tad predictable but is skillfully directed and acted--the families are played by a supporting cast of recognizable names, including Aidan Quinn, Anthony Edwards, Rebecca De Mornay, Penelope Ann Miller, and John Mahoney--so that you don't mind getting exactly what you expect. Based on the novel of the same name by Wendelin Van Draanen.
The Expendables
Directed by Sylvester Stallone
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They might be expendable, but they sure are durable: The Expendables is crammed with well-traveled action heroes, called to a summit meeting here to capture some of that good old ultraviolent '80s-movie feel. Star-director Sylvester Stallone rides herd as the leader of this mercenary band, which includes Jason Statham, Jet Li, and Stallone's old Rocky V nemesis Dolph Lundgren. Mickey Rourke, looking like a car wreck on Highway 61, plays the tattoo artist who communicates the gang's assignments to Stallone; throw in Terry Crews and Ultimate Fighting champ Randy Couture, and you've got a badass crew indeed. The specifics here involve a Latin American island where US interests have mucked up the local politics beyond repair--but when Sly's eye is caught by the feisty daughter (Giselle Itie) of the local military jefe, a simple job gets complicated. Adding to the B-movie flavor of the enterprise, we've got Eric Roberts and Steve Austin bouncing around as badder-than-the-bad guys, plus Bruce Willis popping in for a one-scene bit, and… well, perhaps another unbilled cameo. The violence doesn't reach the frantic pace of Stallone's last Rambo picture, but it builds to a pretty crazy crescendo in the final reels, during which each cast member gets to show his stuff. Although Stallone's face looks younger than it did in the first Rocky movie, his line delivery is more sluggish than ever, and what lines! The dialogue is stuck in the '80s, too. Although it's pretty ham-handed throughout, The Expendables is likely critic-proof: the audience that wants to see this kind of body-slamming throwdown isn't going to care about the niceties. Let the knife throwing begin.
Beauty and the Beast (Two-Disc Diamond Edition)
Directed by Gary Trousdale, Kirk Wise
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The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy.
Michael Jackson's Vision
From Sony Legacy
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It might have been fate that MTV was born at the same time people began to notice the rare talent and artistic ingenuity of Michael Jackson. It proved to be a perfect match between the new television network and the young rising icon. Early on, Michael saw MTV’s potential as a force of its own and understood that it offered him the chance to pioneer a whole new visual style through which people could see music, not just listen to it. For the first time, artists had the opportunity to truly shape a vision of a story around their songs. For Michael, this meant treating the song as a “script” and creating a stand-alone film to tell that story. In fact, Michael referred to each of these productions as a "short film" and not a “music video.”
No other artist contributed more to the development of this art form than Michael Jackson. Just look at the impact of Thriller, which was recently named the first (and only) music video ever to be inducted by the Library of Congress into the National Film Registry - an elite collection of only a few hundred films. In addition to this, Michael’s vision had immense cultural impact . The enormous popularity of his short films proved to MTV Executives that they were wrong about what their audience wanted; it was Michael who broke through that initial barrier and created opportunity for future African American artists.
Here, for the first time, is the complete collection of all 35 of the short films produced by Michael during his career as a solo artist - 10 of which are appearing on DVD for the first time. All of the short films have been meticulously restored and remastered for the ultimate audio and visual experience and a bonus DVD includes 7 additional videos including “Enjoy Yourself” with The Jacksons, “Say Say Say” with Paul McCartney and the Previously Unreleased video for “One More Chance”. This is a true representation of Michael Jackson’s Vision.
The Complete Metropolis [Blu-ray]
Directed by Fritz Lang
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Fritz Lang's Metropolis belongs to legend as much as to cinema. It's a milestone of sci-fi and German expressionism. Yet the story makes minimal sense, and the "theme" belongs in a fortune cookie; to experience the film's pagan power, you have to see the movie. But for decades we couldn't, not really--not with so many versions, all incomplete, often in public-domain prints like smudged photocopies. This Murnau Foundation restoration changes all that. Some shots, scenes, and subplots may be lost forever, but intertitles indicate how they fit into the original continuity and the characters' individual trajectories. Most crucially, the images are crisp, vibrant, and three-dimensional instead of murky and flattened. The composite sequences (the Tower of Babel, a sea of lusting eyes) have been restored to their hallucinatory ferocity. And there's one moment when you can see a bead of sweat roll down a man's cheek--in medium long-shot.
Salon Kitty [Blu-ray]
Directed by Tinto Brass
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Tinto Brass' Uncensored Director's Cut!
Berlin, 1939: At the dawn of World War II, power-mad SS Officer Wallenberg (Helmut Berger of THE DAMNED) is ordered to find and train Germany's most beautiful women to work in the opulent brothel of Madam Kitty (Ingrid Thulin of CRIES AND WHISPERS). Here these Nazi nymphs will submit to the bizarre passions and carnal degradations of the Reich's highest-ranking men and women while Wallenberg secretly records their acts for blackmail. But when an innocent young prostitute (Teresa Ann Savoy of CALIGULA) uncovers the conspiracy, her revenge will ignite a holocaust of pain, pleasure and shocking sexual perversion. The story is true. The depravity is real. The film is SALON KITTY.
John Steiner (TENEBRE), Tina Aumont (TORSO) and John Ireland (RED RIVER) co-star in this infamous epic co-written and directed by Tinto Brass and featuring exquisite production design by Oscar(r) winner Ken Adam (BARRY LYNDON, GOLDFINGER). Released in America as the heavily censored MADAM KITTY, this controversial shocker has been newly transferred and fully restored in opulent High Defintion from the director's own personal vault materials featuring extended scenes of unspeakable sexual atrocities.
Celebrity Nude Revue, The Saucy 70's, Volume 1
From Citrus Cinema
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Remember the 1970s? The Me Decade? It's easy to forget the tough financial times that characterized the 1970s. Times were so tough in fact that a number of the era's most popular actresses went without clothing on a regular basis. Remember Cybill Shepherd in The Last Picture Show, or Julie Christie in Don't Look Now, or Melanie Griffith in Night Moves? All these scenes and more are featured in Celebrity Nude Revue: Best of the Saucy 70's Volume 1. Why, to see all these scenes in their original context, you'd have to watch over sixty films! With this compilation, you can enjoy all these scenes on high quality DVD in the comfort of your home for the price of a single DVD rental!
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