Movie & TV DVD Releases this week. July 6 2010
The Girl With the Dragon Tattoo
Directed by Niels Arden Oplev
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Fans of Stieg Larsson's Men Who Hate Women may have been concerned about how the Swedish author's novel would translate to the screen, but they needn't have worried. Significant changes to the source material have been made, but director Niels Arden Opley's The Girl with the Dragon Tattoo, as it's now called, is mostly riveting. As the story begins, middle-aged investigative journalist Mikael Blomkvist (Michael Nyqvist) has just been convicted of a bogus charge of libel against a rich and corrupt corporate hotshot when he's unexpectedly offered a most unusual gig. An aging captain of industry named Henrik Vanger (Sven-Bertil Taube) wants Blomkvist to figure out what happened to Vanger's niece, who disappeared more than 40 years earlier; not only is the old man convinced that she was murdered, but he suspects that another member of his large and rather disagreeable family (which includes several former Nazis) is the culprit. Blomkvist takes the job, which includes spending at least six months on Vanger's isolated island in the middle of winter. But what he doesn't know is that he's being spied on by twentysomething Lisbeth Salander (brilliantly played by Noomi Rapace in a career-making performance), the titular Girl and the possessor of remarkable skills as a sleuth and computer hacker. With her gothlike piercings and all-black clothes, Lisbeth is a vivid character, to say the least. While we don't exactly know the details of her dark past, it's obviously still with her; indeed, she's just been assigned a new "guardian" (like a parole officer) to look after her finances and other matters. We also know that she is not someone to mess with; when the guardian turns out to be a thoroughly vile monster, Lisbeth gets back at him in one of the more satisfying revenge sequences in recent memory. That Lisbeth and Mikael should end up working together, and more, isn't especially surprising. But the horrifying details and depths of depravity they uncover while working on the case (parallels to The Silence of the Lambs are facile but appropriate) definitely are, and Opley does a nice job of keeping it all straight. At more than two and a half hours, the film is long, with its share of grim, graphic, and scary moments, but The Girl with the Dragon Tattoo is a winner
A Single Man
Directed by Tom Ford
Average customer review:
Colin Firth gives the performance of a lifetime in A Single Man, a drama directed and adapted for the screen by fashion designer Tom Ford, who clearly has a deft vision and ability in the world of film as well. A Single Man is based on a novel by Christopher Isherwood, and Ford's--and Firth's--gift is bringing the inner-turmoil world of the novel to believable, and devastating, life on the screen. Firth may be best known as a dashing romantic-comedy hero (Pride and Prejudice, the Bridget Jones films), but in A Single Man he demonstrates nuance and depth that will stay with the viewer long after the film is over. Firth plays George, a gay British professor, living a life of true, if closeted, bliss with his partner, Jim (Matthew Goode), in the straitlaced early '60s. When Jim dies suddenly at the beginning of the film, George wrestles with how to go on without his true love--and with never being able ever to express his grief openly. The film flashes back to scenes of George and Jim and their dogs, scenes awash in warm tones, and then forward to the present, shot in subtle sepia tones that show joy has disappeared from George's life. Yet there are flashes of hope and feeling: one brief scene--showing George's seeing a dog similar to one the couple had owned, and drawing his face close to the dog's for a familiar and comforting scent--lasts but a moment yet resonates that grief and loss are felt the same by everyone, no matter what they have lost. A Single Man's cast also includes Julianne Moore, playing a complex role as George's best friend and long-ago lover--one of the only people on the planet who can know all that George is going through, yet with vast vulnerabilities of her own. Nicholas Hoult plays a student who reaches out to George, saying, "I guess I just thought you looked like you could use a friend." But it's Firth who triumphs in the film, and who drives the complex emotions--all true, all rewarding--that hold A Single Man aloft and give it its impact. A Single Man can hold its own against Brokeback Mountain as a story of love and loss that transcends any single genre.
Brooklyn's Finest
Directed by Antoine Fuqua
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Fans of the grit of HBO's The Wire, as well as of the mean-streets story intersection plot of Crash, will find a lot to like in the intense crime drama Brooklyn's Finest. Directed by Antoine Fuqua (Training Day) with a sure hand, Brooklyn's Finest follows three NYPD cops who come from very different places (geographically and personally) as their lives, and the compromises they have made daily to coexist with the mean streets of Brooklyn, dovetail to a climax that will have viewers on the edge of their seats. Fuqua has assembled a stellar cast here, including Richard Gere, a veteran cop just a week from retirement; the always amazing Don Cheadle, an undercover officer whose loyalties to the force may be compromised by his growing loyalties to the groups he's infiltrating; and the film's true revelation, Ethan Hawke, a young corrupt cop whose morals make the stomach turn, though Hawke's performance is nuanced and riveting. Supporting cast members include Wesley Snipes as a badass gangster whom even the police have second thoughts about messing with. Other great performances are turned in by Vincent D'Onofrio, whose wooden delivery works here to make his character all the more menacing; Lili Taylor; and a ravishing, world-weary Ellen Barkin. The action is propelled along by the great performances, the excellent cinematography, Fuqua's deft direction, and the moody score by Brazilian composer Marcelo Zarvos. If the plot is a little far-fetched, even for a crime drama, the stellar performances more than make up for it, making Brooklyn's Finest one of Fuqua's, and certainly Hawke's, finest.
Eyeborgs
Directed by Richard Clabaugh
Average customer review:
In the near future as fear of terrorism escalates, privacy is a luxury of the past. Now, in people's homes, on the streets, in the workplace, everyone is constantly being watched by mobile robotic cameras known as "Eyeborgs." But are the cameras just watching...or are they up to something else? As an increasing number of people die in bizarre ways, federal agent Gunner Reynolds (Adrian Paul, TV's Highlander) is determined to find out after he realizes that a camera has recorded an event much differently than he recalls.
Bitten
Directed by Harvey Glazer
Average customer review:
Jack is a night-shift paramedic who rescues a troubled young woman from the throes of death. When he brings Danika home to mend, he discovers she’s a vampire in need of a nightly fix. Otherwise, she’s really perfect. But as the victims pile up, Jack questions his own fate, and what his growing fear of commitment could cost him.
Twin
Directed by Ivan Reitman
Average customer review:
DeVito and Schwarzenegger as fraternal twin brothers? Hey, why not? This delightful 1988 comedy by Ivan Reitman--about genetically designed twin siblings who discover each other at the age of 35--works out just fine, thanks largely to great chemistry between the two stars. Despite a certain amount of rough action and tension, the film really gets a lift from the palpable innocence Reitman develops, and the female costars (Chloe Webb and Kelly Preston) bring some interesting texture of their own. This is a film that walked the tightrope of a high concept and completely succeeded. To see how easy it is to stumble in a similar situation, check out DeVito and Schwarzenegger in Reitman's Junior. The DVD release has a full-screen presentation, optional French and Spanish soundtracks, optional Spanish subtitles.
Legal Eagles
Directed by Ivan Reitman
Average customer review:
Robert Redford, usually a pretty good judge of material, got snookered badly in this Ivan Reitman comedy that also starred Debra Winger and Daryl Hannah. Redford is a rising assistant D.A. who is prosecuting a woman (Hannah) for theft of a painting by her father. Before he knows what hit him, he's involved romantically both with the defendant and with her scattered lawyer (Winger). Redford is as good as he can be, given the circumstances, but this is a movie that doesn't know where it's going. Originally intended as a serious film about the legal wrangling over the estate of the late Mark Rothko, this film quickly degenerated when the script was turned over to Jim Cash and Jack Epps Jr., whose sparkling oeuvre includes Turner and Hooch.
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