New DVD Releases February 16 2010

New dvd releases this week: February 16 2010

Law Abiding Citizen

The legal thriller meets the serial-killer shocker in Law Abiding Citizen. The story begins when home invaders kill Clyde Shelton's wife and daughter. The bereaved father (played by a thoroughly unsympathetic Gerard Butler) looks to slick Philly prosecutor Nick Rice (a low-key Jamie Foxx) to see that they receive the maximum sentence. Instead, the murderer, Ames, testifies against his accomplice, Darby, who gets the chair, while he gets 10 years. Upon his release, Ames' mutilated body turns up in an abandoned warehouse, and all roads lead to Shelton. Rice attempts to defend him, but his client makes it impossible--Shelton wants to go to prison--so he does time, but then members of Rice’s legal team start to die. The attorney suspects Shelton, but can't connect him to the crimes, so he races against the clock to save the lives of his assistant, Sarah (Leslie Bibb), D.A. Jonas (Bruce McGill), and his own wife and child. The movie may sound like a Yank reboot of the Japanese chiller Cure, in which an inmate kills from inside institutional walls, but plays more like a mash-up between The Silence of the Lambs, without the psychological complexity, and The Devil's Advocate, without the cynical giggles. F. Gary Gray got his start with hip-hop videos and urban action flicks, like Set It Off, until he hit the big time with his remake of The Italian Job. Law Abiding Citizen is a disappointing muddle from a director who's done better in the past and will surely do better in the future.



Coco Before Chanel

Before she became Coco, the world-famous fashion designer, Gabrielle Chanel (Audrey Tautou in a fiercely determined performance) struggled to make ends meet. After her mother's death, her father deposited her and her sister, Adrienne (Marie Gillain), at an orphanage, where they learned to sew (and where Chanel developed a taste for monochromatic ensembles). They went on to become cabaret singers, but when Adrienne runs off with a wealthy suitor, the newly christened Coco must go it alone until she meets gentleman farmer Étienne Balsan (Benoît Poelvoorde). She lives comfortably at his chateau, but he refuses to take her out in public, so she puts her skills as a seamstress to good use and designs outfits for his lady friends, like Emilienne (Emmanuelle Devos), an actress. Chanel's situation improves further when British investor Arthur "Boy" Capel (Alessandro Nivola with an impeccable French accent) enters the scene. Her working-class origins present less of a problem with Capel, though the couple will have other issues with which to contend. In the meantime, he gives her the money to open her own Parisian studio, and the film ends with the tweed suit-clad Chanel of the popular imagination. Until that time, writer-director Anne Fontaine (The Girl from Monaco) presents a very different character, a woman who wasn't worldly or sophisticated, but who saw no reason why fashion--or "style," as she called it--should be complicated or uncomfortable. In transforming herself, Coco Chanel transformed an entire industry and, arguably, an entire gender.

Good Hair

When one of Chris Rock's young daughters asked him an innocent question about having "good hair," the comedian probably had no idea just how complicated the answer would be. Fortunately for us, he decided to find out, and the result is this funny, informative, and highly entertaining documentary of the same name. Turns out that for a great many African-American women (and quite a few men, too), "good hair" means "white hair"--i.e., straight and lanky--while the natural or "nappy" look is bad. And oh, the lengths and expense women will go to in order to get "good hair"! In the course of the film, which was directed by Jeff Stilson and cowritten by Rock and several others, Rock first travels to Atlanta, home of the Bronner Brothers Hair Show, where thousands of folks buy and learn how to use new products (the show is also the site of the outrageous and climactic Hair Battle Royale, in which four stylists compete for money and fame). It's there that he learns about sodium hydroxide, better known as hair "relaxer," the "nap antidote," or the "creamy crack" (as effective as the chemical substance is for straightening hair, it can also be highly dangerous). In Harlem and Los Angeles, he investigates the extraordinary popularity of hair weaves, which can cost tens of thousands of dollars annually to create and maintain; Rock even goes to Madras, India, source of most of the hair used in weaves (for Indian women, tonsure, or shaving their heads, is a ritual act of self-sacrifice). Along the way, Rock interviews a great many young women with fabulous hair (including actresses Nia Long, Raven-Symoné, and Kerry Washington, and rappers Salt-N-Pepa), but he also talks to the esteemed poet Maya Angelou, as well as men like rapper-actor Ice-T and the Reverend Al Sharpton. Sharpton, who is very amusing (he's referred to as "the Dalai Lama of relaxed hair"), is about the only celeb who touches on racial issues, pointing out that while it's African Americans who use the overwhelming majority of these hair products, the companies who sell them tend to be owned by Asians. Some viewers may object to the film's lack of a strong socio-political stance, but others will no doubt prefer the lighter touch, including a hilarious discussion at a barber shop about dating women with hair weaves (basically, it's "hands off the hair, pal").

Black Dynamite

When drug dealers take out his kid brother, ex-CIA agent Black Dynamite (Spawn's Michael Jai White) makes like a karate-chopping dynamo to track them down. Armed with a .44 Magnum, a set of nunchucks, and a sexy 'stache, Big D starts out in the City of Angels, where his buddies Cream Corn (In Living Color's Tommy Davidson), a hustler, and Bullhorn (co-writer Byron Minns), a club owner, offer to lend a hand. The deeper Dynamite digs, the more endangered his life becomes as he uncovers a conspiracy to keep the black man down by flooding the streets with malt liquor and filling the country's orphanages with smack. Since the smooth operator has a way with the ladies, he also enlists Gloria (I Am Legend's Salli Richardson-Whitfield), a socially-conscious soul sister, to aid in his clean-up campaign. Director Scott Sanders and White, who co-wrote the script, collaborated on 1998's Thick as Thieves, and their chemistry shines through. If the supporting cast can be a little wooden, White gives Shaft's Richard Roundtree a run for the money with his cool-cat charisma. Set in 1972, Black Dynamite doesn't just act like a movie from the Superfly era, it looks and sounds like one, too, courtesy Adrian Younge's old-school funk score, Shawn Maurer's 16mm cinematography, a cartoon credit sequence, and some carefully choreographed boom mic appearances. And dig those crazy cameos: Arsenio Hall as Tasty Freeze, Brian McKnight as Sweet Meat, and NBA veteran John Salley as Kotex.

Shaun The Sheep: A Woolly Good Time

Get ready for a bunch of laughs and giggles as you watch Shaun the sheep and his other barnyard pals get themselves in and out of trouble. Even though the episodes don’t involve speaking in understandable language, the messages come through loud and clear through music and action. You see the love between master and dog, dog and sheep, and sheep with each other. You also learn about the importance of keeping your teeth healthy. This title is appropriately paced and uses humor appropriate for its intended audience. The expressions on the animals’ faces are priceless, and the roll of an eye will get you laughing out loud. There is a lot of simple humor that brings a smile to your face like when the sheep use the beat of the washing machine sounds to dance an Irish jig or when the sheep are causing mayhem in the yard, and the over-worked guard dog gets a visit from the farmer and there are two sheep on the clothesline behind him, hanging in a pair of pajamas. KIDS FIRST! Child Juror Comments: I liked this because I liked how it looked. It was kind of animated, but it was like clay. The characters were funny. They didn’t talk, but they were very funny like when the girl flew into the cake. I thought the dog would be mean to the sheep, but they were actually good friends. I don’t think it was a good idea to throw all that soap into the laundry bin.

Cabin Fever 2: Spring Fever

CABIN FEVER delivered terror in the flesh, but now your flesh will crawl with CABIN FEVER 2: SPRING FEVER, the bloodcurdling sequel to the hit horror film. Days after a killer virus consumed his friends, Paul emerges from a ditch by a river. Though his body has been ravaged by the virus, he is determined to survive and to warn others of the danger. However, a water bottling plant has already distributed contaminated water to the local high school. The school’s students are excitedly preparing for the prom, unaware they’re about to have a grisly date with death.






Hunger

With the exception of Julian Schnabel, visual artists have had a tough time at the cinema, but like the American painter before him, Britain's Steve McQueen beat the odds with the award-winning Hunger. In his visceral depiction of a political hunger strike, McQueen emphasizes specific moments over plot mechanics. Guard Raymond Lohan (Stuart Graham) serves as a guide into the hell of Belfast's Maze Prison, circa 1981, where Bobby Sands (Michael Fassbender in a remarkable performance) and his IRA brethren hunker down in blankets, since they refuse to don uniforms and can't wear their own clothes. They dump food on the floor, smear waste on the walls, and sleep with maggots in protest against their conditions. Even after moving the prisoners, the mistreatment continues, so they step up their campaign. It's no way to live, and it isn't easy to watch, but McQueen provides a reprieve through Sands's riveting conversation with Father Dominic Moran (Liam Cunningham), a scene his backers pressured him to cut, but the filmmaker wisely stood firm In his director's statement, McQueen says he wanted to "show what it was like to see, hear, smell, and touch in the H-Block." Because he avoids editorializing, it's as easy to condemn his subjects for their naïve idealism as it is to admire their singularity of purpose. Art background aside, McQueen clearly knows his U.K. film history, and appears to have spent time with the works of Alan Clarke (specifically Elephant) and Stanley Kubrick (see A Clockwork Orange), who share his fascination with the abuse of power, the horror of sudden violence, and the splendor of the static shot.

Revanche

A gripping thriller and a tragic drama of nearly Greek proportions, Revanche is the stunning, Oscar-nominated international breakthrough of Austrian filmmaker Götz Spielmann. In a ragged section of Vienna, hardened ex-con Alex (the mesmerizing Johannes Krisch) works as an assistant in a brothel, where he falls for Ukrainian hooker Tamara. Their desperate plans for escape unexpectedly intersect with the lives of a rural cop and his seemingly content wife. With meticulous, elegant direction, Spielmann creates a tense, existential, and surprising portrait of vengeance and redemption, and a journey into the darkest forest of human nature, in which violence and beauty exist side by side.





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